Saturday, 21 March 2015

End of module Self evaluation OUIL404



1.  Which practical skills and methodologies have you developed within this module and how effectively do you think you are employing them within your own practice?

From start to finish I feel like I’ve learnt so much. For me, the most noticeable developments came in the second part of visual language, such as composition, value, and line of sight. Understanding the components to each of these essential parts of image making, and how much effect they can have on your work was really eye opening for me. Every time I produce a piece of work now, I consider the composition, the line of sight and how it will be read by the viewer. The freedom of experimentation that came with this module was also something I’ll definitely take away. From screen-printing to working with shape and texture, and everything in between. Its all been such valuable learning for me.


2. Which principles/ theories of image making have you found most valuable during this module and how effectively do you think you are employing these within your own practice?

Learning about composition was definitely the most valuable principle I learnt when it came to image making. The idea that roughs can all be so very different and yet have the exact same components has really stuck with me, and has really helped me to develop and refine my own work. Understanding that the composition can change the atmosphere of a piece is another highly valuable theory that I've taken away from this module. I understand all about these theories and techniques now, but need to continue practicing them and reflecting in order to effectively progress.


3. What strengths can you identify within your Visual Language submission you capitalise on these?

Experimenting out of my comfort zone always seemed to work well for me. I really loved using various techniques to make images, such as using my own photography, and creating my own costumes. For me, visual language was an eye opener in the sense that illustration is not just pencil and paper. It gave you the ability to get creative, and to do things i never thought I would. The 3D lens and lens brief was one of my personal favorites, as well as the collage posters, mainly for the reasons above. To capitalize on these I must continue to work with array of media and vary the techniques I use throughout the next two years and beyond. I would like to incorporate photography wherever I can too.


4. What areas for development can you identify within your Visual Language submission and how will you address these in the future?

Drawing from observation was something I really struggled with during the first few weeks. For a while I really lacked confidence in getting the information down as soon as I saw it. I hated making mistakes. As the course progressed I don't feel as afraid to get things wrong anymore, but I definitely need to continue working on this. To improve on this I would like to start going to a life drawing class, and also taking an hour or two in the week where I simply sit and draw things from life. I would also like to continue to develop my compositions, as sometimes I feel I still think inside the box rather than the bigger picture. I’m slowly getting there, but know it'll take some more practice before I'm content with the work I'm producing.



5. In what way has this module informed how you deconstruct and analyse artwork (whether your own or that of contemporary practitioners)?

I can’t look at a piece of work now without looking for the line of sight, or where the artist has used texture etc. I analyze work in a whole new light thanks to the Tuesday sessions. The components we have been taught when it comes to image making have always been in the artists works that I love, its just now I know that they're there, and see what they do to the piece in order to make it work as well as it does. Coming away from each session and personally researching and then creating work based on each method also helped me to analyze what works and what doesn’t. This module has given me the ability to understand where the strengths and weaknesses lie in image making.




6.How would you grade yourself on the following areas:
(please indicate using an ‘x’) 

5= excellent, 4 = very good, 3 = good, 2 = average, 1 = poor

1
2
3
4
5
Attendance




x
Punctuality




x
Motivation




x
Commitment



x

Quantity of work produced



x

Quality of work produced



x

Contribution to the group





The evaluation of your work is an important part of the assessment criteria and represents a percentage of the overall grade. It is essential that you give yourself enough time to complete your written evaluation fully and with appropriate depth and level of self-reflection. If you have any questions relating to the self-evaluation process speak to a member of staff as soon as possible.


A copy of your end of module self evaluation should be posted to your studio practice blog. This should be the last post before the submission of work and will provide the starting point for the assessment process. Post a copy of your evaluation to your PPP blog as evidence of your own on going evaluation.

Notes

Tuesday, 17 March 2015

Colour, Value & Notan - Something good.




I made a lot of random drawings for this, a few of them displayed above. 
I really wanted to combine everything I've learnt in the last few sessions, so I was focusing on where the line of sight was, making sure I had a foreground mid ground and a background, as well as considering the colours. 


Doing something good.

Such a broad topic. I didn't make lists for this one, I just started drawing and selected various elements from each and pushed them further. The idea for this is 'Free the nipple'. The movement thats been taking place for a few years now, in which women are fighting for the right to have the option to walk the streets topless, just as men can. Fighting for equal rights is definitely a good thing. 




Scanned in the images and used photoshop so as to edit the levels. I wasn't sure whether the pencil colour background would show the same textures as above, but I had my fingers crossed.


Screen printing has to be one of my favourite things! I love how hands on the whole process is, from start to finish. 

FINAL SCREEN PRINT. 




Evaluation -
Really pleased with how these turned out, as its very hit and miss with screen printing. I feel i got all of the elements i wanted to within the piece. Such as the line of sight, making sure there was a foreground mid ground background, and also a good combination of colours that worked really well together. I think it was pretty difficult lining up where the two separate colours would go, so there is a slight overlap in places where the teal touched the pink. But on the whole Im really happy with how this turned out. 


Questions and speculative thinking-

Could i successfully achieve a three colour separation screen print? 
Im definitely ready to give it a go. 





Composition part 4 (Line of sight)


Thought i'd use one of my own photographs for this in the end. Line of sight is clear here, as everything directs the eyes into the centre where the sunset is taking place. The clouds come in from the corner and stop as they reach the centre, as does the branch on the other side, Everything draws your eye to the sun setting. 


What I've learnt about line of sight-
The line of sight is to guide the viewers attention to the centre of interest in the image. Line is massively important when creating work, as it can help the viewer to see and feel the things we want them to.


Intention- to create an illustration clearly displaying a line of sight.

Final piece



Evaluation - 
I think i achieved a clear line of sight here. However Im not completely happy with the outcome. I feel i should have gone with the kraken one, as this one lacks a tone of voice. I need to start saying things with my work, making it interesting as well as aesthetically pleasing. I love using pencil colours, but maybe i should have mixed it up for this one. I found it hard to get the right amount of tone and contrast using pencil colours. However on the whole I'm happy that i understand line of sight much better now, after producing these roughs and this final. 

Questions and speculative thinking  -
Can i achieve more tone when using pencil colours?
I should take more risks, think I play it safe too often. 







Saturday, 14 March 2015

Finals





Pretty pleased with how these came out given that it was my first time using the programme. In all honesty I really struggled with illustrator at first, and at times, hated it. But once I got the hang of it, and sought a little more help in the illustrator drop in session, it wasn't so bad. Obviously there are changes i could make to each to really perfect them. But on the whole they're not too bad. 

Thing i would do next time-

1. Spend more time on the precision of the lines. At times, the pen tool didn't work with me.
2. Double check that the size id set the art board, when i went to print, id realised they were all wrong. Careless mistake. 
3. Be overall better at using vectors and create some awesome illustrations.




First attempt at finals


When i started transferring my finals into vectors, i realised it wasn't as easy as i thought it would be.
Using the pen tool wasn't too hard after a little practice. What i couldn't get my head around was connecting each shape in order for the colour to be added. I had to re-do this one a few times, once because the programme shut itself down though. I learnt my lesson and now save every 10 seconds!
I really didn't understand that each section needs to connect in order to add colour.  


This one was a little better, but i will definitely be starting over in order to get the lines a little neater and the proportions a little better. I think this one was easier because its mostly black and white, and there was no connecting shapes around the sunglasses. The only worry i have with this one is whether or not its obvious which film I'm trying to represent. Im hoping the whiskey and the tux, the chin and the receding hair line of good ol Bill Murray say 'Lost in Translation'. Fingers crossed. Working with minimal detail and trying to use symbols to represent what city I'm trying to represent is actually really fun. I really didn't think i would be able to do it. 



Wednesday, 11 March 2015

Final drawings.





I worked on my finals from the roughs id produced. Keeping it simple, don't want to over work it. I always feel the need to put detail in, so leaving these as they were was pretty hard for me. I may even simplify them even more when i start using illustrator. 
Think i should try simplifying my drawings a bit more in the future. Quite like it.

Illustrator workshop part 2

If it wasn't for these workshops, I would be completely lost. And i mean completely. At first I found it really hard to get my head around. And a lot went wrong. We were taught how to use the pen tool in this session, and how to draw around objects and how to colour them in etc.






After practicing on the templates, i took an image from google and tried using the pen tool. I found it really difficult. Trying to get my head around working with shape and where each section fills with colour is proving to be really difficult. Hopefully i'll get there soon. Just need to practice.

Roughs and symbols

 Finally, getting somewhere! Completely different from my usual work. I considered our last visual language workshop when making these. Value. White against black and vice versa, to make each image stand out.



I wanted to take the iconic things from the films, simplify it right down, but still be obvious as to what film i was representing.


At first i thought i had to draw a landmark or a building in order to represent the city. But after plenty of roughs it became apparent that I really didn't need to. Drawing in more of a symbolic way gives people the chance to read my illustrations. I finally feel happy about where this project is heading. However, at this point in time i have no idea how I'm going to change these images into vectors.